Contact   |   Staff  |   Contribute  |   Advertise  |   Site Map  |   Legal

Lessons

Featured Lesson

Future Metal Shred Future Metal Shred
By Paul Wardingham
May 16th, 2011

Welcome to Guitar Messenger! My name is Paul Wardingham, and I’m going to be showing you how to play some futuristic-themed shred ideas using excerpts from my new album Assimilate Regenerate, as well as a solo written and recorded exclusively for this lesson. Whenever a student asks me how to play... Read More →

Most Recent Lessons

Jason Richardson – Thought: Main Theme Tabs Jason Richardson – Thought: Main Theme Tabs
By Jason Richardson
November 29th, 2013

We’re happy to announce that we’re working together with Jason Richardson on an upcoming lesson series. In the meantime, we wanted to share the tabs below of the main theme from Jason’s new single ‘Thought.’ You can listen to it above and pick it up on iTunes. Jason... Read More →

Artist Masterclasses

The Black Dahlia Murder: Ryan Knight – ‘In Hell Is Where She Waits For Me’ Solo The Black Dahlia Murder: Ryan Knight – ‘In Hell Is Where She Waits For Me’ Solo
January 6th, 2014


 [Ryan's Ibanez FR custom shop guitar is tuned down 2 whole steps to C Standard: C F Bb Eb G C] In this masterclass, Ryan breaks down his solo for the song ‘In Hell Is Where She Waits For Me,’ off The Black Dahlia Murder’s 2013 album, Everblack. The first part of the solo is played over a thrash riff alternating between C# and A notes. Although only single notes are being played in the rhythm guitar part, Ryan interprets the harmony as switching between C# minor and A7. Kicking off in measure 15, the second half of the solo switches… (Continue)


Artist Licks

Feared: Ola Englund Lesson – Mass Destruction (Solo) Feared: Ola Englund Lesson – Mass Destruction (Solo)
June 26th, 2014


 [Ola's signature Washburn Solar guitar is tuned down one step to D Standard: D G C F A D.] Mass Destruction Solo Ola kicks off the solo to Feared’s Mass Destruction with a mysterious lick over the riff in B that includes a b6 and b7 and lands on the major 3. He then further outlines the tonality with a diagonally-ascending B7 arpeggio in five-note groupings that makes good use of economy picking. Watch out for the slide up to the 18th fret in the middle of bar 3 that leads up to a bend. Changing gears, he heads back down the neck in bar 5… (Continue)